Warning: Spoilers ahead for “Strange New Worlds” Season 2, episode 9.
Introduction
The ninth episode of “Strange New Worlds” Season 2, titled “Subspace Rhapsody,” is a tour-de-force that takes a daring gamble on a concept as unexpected as it is delightful—a musical episode. Directed by Dermott Downs and written by Dana Horgan and Bill Wolkoff, this installment ventures into uncharted territory for the Star Trek franchise. But does it hit the right notes?
The Music
Musically, this episode is a triumph, with songwriters Tom Polce and Kay Hanley delivering a soundtrack that ranges from show-stopping ballads to humorous snippets. The cast showcases their vocal talents admirably, with particular standouts including Christina Chong as La’an and Celia Rose Gooding as Ensign Nyota Uhura. The surprising highlight was the Klingon warrior boyband sequence, an inspired touch that leaves a lasting impression.
Character Arcs
This episode adds nuance to existing relationships on the USS Enterprise, perhaps none more so than the complex dynamic between Spock and Nurse Christine Chapel. The episode provides context and adds layers to their relationship, effectively recontextualizing their interactions in the Original Series (TOS). The emotional weight of their breakup, executed through song, resonates deeply, adding a new layer to these iconic characters.
Una, also known as Number One, provides a more supporting role in this episode, with Rebecca Romijn showcasing her vocal talent through a Gilbert and Sullivan-inspired number. Meanwhile, Kirk and La’an’s relationship gains some closure, providing emotional depth to La’an’s character, who has been a notable addition this season.
Uhura’s Journey
Uhura’s transformation over the season culminates in this episode, where she exudes newfound confidence and competence. A touching ensemble number underlines how she has the power to inspire the crew, showing that she has truly come into her own compared to her TOS character, originally played by Nichelle Nichols.
Directing and Cinematography
Director Dermott Downs does an exceptional job of balancing the musical elements with the broader Star Trek universe. The choreography, cinematography, and even the special effects seamlessly integrate with the musical numbers, enhancing rather than detracting from the Star Trek feel.
Novelty and Risk
The episode takes a risk by diverging from traditional Star Trek storytelling, but its placement in the season makes it work. By capitalizing on already-established relationships and character arcs, it avoids feeling like a mere gimmick, instead providing emotional depth and character development, all while advancing the plot.
Conclusion
“Subspace Rhapsody” is an unforgettable episode that boldly goes where no Star Trek has gone before, achieving a delightful balance of novelty, emotional depth, and musical prowess. While the episode may not be for everyone, for those who appreciate the risks it takes, it stands as an exhilarating journey through space and song.
Whether it will be deemed the best Star Trek episode ever remains a matter of personal preference, but it certainly pushes the envelope in the most tuneful way possible.
